The easiest way to mark your message as a Spoiler is by highlighting the text, click on the eye icon. Estoy sóla en mi casa la víspera de Navidad. It concerns the attack and home invasion of a young pregnant woman (Paradis) by a mysterious stranger (Dalle) who seeks to take her unborn baby. There was alot of hubbub from international fans about how the original ending was better and that facile Americans can’t handle unhappy endings. Inside ought to be the most upsetting movie ever made, but somehow it’s inappropriately entertaining in the Christians-to-the-lions mode of the video nasties. After a brutal car accident, Marilyn must take care of her man suffering a serious head trauma. Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist.Keep track of everything you watch; tell your friends. August 25, 2008 at 4:18 am (Uncategorized) (A L'interieur, Beatrice Dalle, French horror films, Inside) Always in search of the next horror movie that will genuinely freak me out, last night me and a friend of mine watched Inside (A l’interieur) a French flick that received good notices from both reviewers and gorehounds. Also, another continuity error: surely Dalle’s character would have been blinded by the severe burning that melted the rest of her face? A young woman about to leave a psychiatric clinic is found dead. I couldn’t shake the ending though which added nothing to the overall theme of the movie and seemed only to exist to be bleak for the sake of being bleak. There was alot of hubbub from international fans about how the original ending was better and that facile Americans can’t handle unhappy endings. If anything, these could do with a whiff of the fantastique to go with the gruelling, sustained abuse of (usually) women — though most French roughies still feel obliged to include philosophical underpinnings which might or might not justify the thuggish brutalism. Inside (A l’interieur) and film nihilism – SPOILERS. This is not to say that it’s never appropriate for a main character to die but rather that the dying should serve some purpose in the story other than proclaiming that everything is pointless and so we should all go at each other like animals.Happy and neutral endings are as much a part of real life as sad, traumatic and destructive ones. Sarah, a news photographer, is bloodied but alive at the wheel, next to her just-killed husband. In a peaceful mountain town near a lake, the lives of people will gradually switch to terror, following the appearance of tragic and unexplained events. Relive the funniest moments that happened before the opening credits of "Want to share IMDb's rating on your own site? How does it work?
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Critics nearly shat themselves over this film and I can’t imagine why except for the fact that it treads into serious taboos by violently dispatching a pregnant woman.
In the heart of Morvan, Nico, the last vet in the area, struggles to save his patients, his clinic, and his family. Le réalisme est de mise ce qui rend le film très pénible à regarder sans ressentir un minimum de dégout. À l'intérieur fait partie de la sélection de la Semaine internationale de la critique dans le cadre du 60 e Festival de Cannes. Created by Bruno Dega, Jeanne Le Guillou. If you’re on mobile, tap the spoiler text to view it. Sarah mistakenly kills her own mother – incidents like this have been commonplace in horror since The Descent, though the first version I can remember is in the otherwise rubbishy Don’t Go in the Woods Alone – but barely has time to feel sorry about this since more folks have to be bloodily done away with. The final scene is of the unnamed woman in a rocking chair with the baby.In short, WTF? xGary McMahon I’d say “Martyrs” is the best recent French horror film – that one impressed me in a way that no film has for a very long time. The inquiry shakes Angèle's grip on reality, driving her to the brink of madness. ChrisReynolds Very powerful horror film with a huge amount of tension, especially in the first half. 'À l'intérieur' pulls off a surprising feat: it manages to take a concept that is, by its' very premise, provocative, and make it remarkably uninvolving.