the form of "oh! lady be good" is
The phrase "Oh, Lady, Be Good!" And, as Walter Rimler sums up Gershwin in 1924, "His worldwide fame had begun--only to be compounded when, [at the end of that magical year], he had a huge triumph on Broadway -- the musical Lady, Be Good!, which made stars of Fred and Adele Astaire, and for which he and Ira wrote "Fascinating Rhythm," "Oh, Lady, Be Good!" (Please complete or pause one
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Er wurde für das Broadway-Musical Lady, Be Good geschrieben. Stream songs including "Grand Fantasy on Porgy and Bess: Introduction -", "Grand Fantasy on Porgy and Bess: I. Jasbo Brown Blues -" and more. Miss Astaire in the new piece is as charming and entertaining a musical comedy actress as the town has seen on display in many a moon. 15.
Arrangement: Lead Sheet ARTIST(S): George Gershwin Pages: 2 Item #: 00-PSL-000818 Oh, Lady, Be Good!
Behind him, Basie plays chords on the beat. 0:59In one of the phrases, Young bends one of his pitches. body {
Bob Thomas, in his biography of Fred Astaire, captures the qualities of the Gershwins' score for Lady, Be Good: The Gershwin songs were new and fresh and vital, perfectly attuned to 1924 America. New York: Random House, 2007 (paper-bound ED. body {
The Astaires also recorded the song on April 19, 1926 in London with George Gershwin on the piano (English Columbia 3968 or 8969). Ezra Pound wrote in his #74 of his Pisan Cantos, Oedipus. in the Cafe Songbook Record/Video Cabinet
View All Arrangements. Deena Rosenberg in her book on the collaboration between George and Ira, elucidates the place the song and show titles came to hold in the culture of The Twenties, both popular and literary: "Oh, Lady, Be Good!" It was slick and tongue in cheek, a definite departure in concept and design" (Riley, p. 98-99).
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Recordings in 1925 were by Paul Whiteman, Carl … Not bad! University of Illinois Press, 2009. Lady Be Good" with his right hand.
Why Don't You Do Right? as evidence that the song has evolved as a jazz classic--which the recordings in this set of selections surely demonstrate. Their interests are rooted in jazz, but often Brazilian, R&B, classical, and pop … The notes came roughly, slowly piecing together the shadow of a tune. Download and Print Oh, Lady, Be Good sheet music for voice, piano or guitar by George Gershwin. believe that the composer was trying to introduce jazz to Broadway in his 1924 show Lady Be Good. Miss Otis Regrets (She's Unable To Lunch Today) 10. All such images are linked to the source from which they came (i.e. Gioia's account of the song's performance history acknowledges the big bands "hard-swinging" versions but emphasizes the small combos from the mid-thirties as the basis for the song's eventual mantle of jazz standard. High-Quality and Interactive, transposable in any key, play along. }
One imagines these musicians, part of Bucky Pizzarelli's generation, being fixtures in the musical world of John's youth. 1959 (paperback Ed., 2008). }
Oh, Lady Be Good! Ted Gioia in his The Jazz Standards offers about as good an overview of "Oh, Lady, Be Good!" Watty Watkins, the character played by Walter Catlett, is not only Dick Trevor's lawyer, but has been engaged by the Mexican to collect his sister's share of the inheritance.
really was, at least for its time, but apparently most contemporary reviewers did not. Many recorded versions exist. Instruments: Guitar Voice, range: D4-E5: Scorings: Guitar Tab. As one can tell, even from this abbreviated synopsis of Lady Be Good!, it was not the story that made the show so memorable and important in the history of American musical theater. video before starting another. The Gershwins' Lady, Be Good, whose plot was still, in the words of Wilfred Sheed, "simpleminded" and a long way from what would come later in the decade (Sheed, p. 61), was one of the few shows, and certainly the most successful, that could claim to be on some level a modern musical comedy. album: Oscar Peterson & Fred Astaire: The Complete Norman Granz Sessions, Notes: Originally this album was published under the title The Fred Astaire Story. Gershwin biographer Edward Jablonski captures the essence of what the critics missed: Though several reviewers made note of the songs they made no mention of the innovative sound, the spare sinewy melodies, the definitely non-operetta rhythms, the wit of the lyrics. Michael Lasser,
Oh, Lady Be Good. 12. background-color: #FBECD5;
search-form. Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996), also known as the "First Lady of Song", "Queen of Jazz", and "Lady Ella", was an American jazz and song vocalist.
(See Kimball and Simon, The Gershwins, p. 39, hard-cover Ed.).
What to Listen For: Relaxed, jam-session atmosphere; Rhythmic unpredictability in Lester Young's solo Music-Video: Live performance; not the same track as on album above
was named for the song "Oh, Lady Be Good" and not the other way around. Credits for Videomakers of videos used on this page: Borrowed material (text): The sources of all quoted and paraphrased text are cited. Charlie Parker
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), 1997
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2:00Young's last phrase bids us a bluesy farewell. . (p. 104 paper-bound Ed.). singing: O sweet and lovely
Paul Whiteman and His Orchestra
Luckily for the siblings, the show ends in true romantic comedy form, with wedding bells.
It was merely a musical comedy number designed to further the plot. On the steamship voyage back to New York, George met millionaire and arts patron Otto Kahn whom he tried to interest in investing in the show. As far back as that, they had dreamed out loud to each other about how great it would be if some day George created a show that would star Fred and his sister. The Arrangement Details Tab gives you detailed information about this particular arrangement of Oh, Lady Be Good - not necessarily the song. The Preludes. background-color: #FBECD5;
Interestingly, as Howard Pollack informs us, the show Lady Be Good! 1987
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Like the great groups that have come before, such as Lambert, Hendricks and Ross, Singers Unlimited, Manhattan Transfer and Take 6, they have learned from the best and taken the art form to new levels.
Philip Furia and Michael Lasser elaborate on the significance of Ira's title clause, "Lady Be Good," which of course is key to the titles of both song and show.
It consists of 40 tracks of songs associated with Astaire, sung by him accompanied by the Jazz at the Philharmonic All Stars (Charlie Shavers, trumpet; Flip Phillips, tenor sax; Oscar Peterson piano and celeste,; Barney Kessel, guitar; Ray Brown, Bass; Alvin Stoller, drums.
A later performance (2009) includes album personel Jessica Molaskey, Rebecca Kilgore (vocals); Aaron Weinstein (violin); Harry Allen (tenor saxophone); Larry Fuller (piano); Tony Tedesco (drums), Bucky Pizzarelli and John Pizzarelli (guitars) Martin Pizzarelli, bass, etc. the timely yet timeless image of an era, poignant still." on May 19, 1947, as Ted Gioia puts it, "a last-minute addition to a studio date, with an arrangement worked out on the spot and the song captured in a single take, . (on European tour-- Copenhagen 1974). Qty * $1.99. Fred Astaire too makes a good account of himself. would be considered flimsy in comparison to later shows that featured songs that were truly
Lady be Good’, sound superficially similar. Even though changes taking place in the American musical theater were making it modern in several profound senses, the influence of the past was still deeply felt on Broadway. Robert Kimball and Alfred Simon, Eds. (both contain her 1959 studio version with Nelson Riddle arrangement).
Though mostly jazz, their classical training comes through on "My Funny Valentine," particularly. Furia and Lasser write, "Ira Gershwin had wedded his brother's plaintive, bluesy melodic line to the 1920s catchphrase that implicitly asked a lady not to be good but bad. Oh, Lady Be Good! side 1: Begin the Beguine; side 2: Oh, Lady Be Good (Victor 20-1551), from the album, Up Swing (RCA Victor P 146). Edward Jablonski
which quickly dissipated their doubts.
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Can't Help Singin' The American Musical on Stage and Screen. The chord changes and form of this tune have been used as the basis of countless jam session and jump tunes.
Unlike the threadbare plots of many contemporary productions, the writers took care to craft a story that showcased the Astaires’ onstage personas. Form: Song. Nevertheless, the book for Lady Be Good! ), 1952
11. (March, 2012, Tbilisi, Georgia), The Pizzarelli clan has a later recording of
Perdido - Live From Carnegie Hall/1949. Fred Astaire's, however, was dubious, seeing the script as "hackneyed," until he and his co-star sister Adele heard the show's first song, "Oh, Lady Be Good!"
0:10AAt times, Basie begins to show traces of a stride foundation in his left hand. 78 rpm. Susie at first declines despite Catlett's lucrative offer and then suddenly reverses course turning a yacht club party into a riot -- concluding the first act. 0:29The drums begin to build intensity by playing a backbeat. Kathleen Riley
Carl "Tatti" Smith, trumpet; Lester Young, tenor saxophone; Count Basie, piano; Walter Page, bass; Jo Jones, drums. video before starting another.
They were a down-on-their-luck sister and brother in the show as well as sister and borther in life and it was for them that the Gershwins were mainly creating their song and dance numbers. ), 1990, 2009 & 2012
video before starting another. Borrowed material (images): Images of CD, DVD, book and similar product covers are used courtesy of either Amazon.com or iTunes/LinkShare with which CafeSongbook.com maintains an affiliate status. 86-87, hardcover Ed.). As Fred maintained: "This was no hackneyed ordinary musical comedy. Listen to The Piano Music of Earl Wild featuring the Gershwin arrangements by Xiayin Wang on Apple Music. background-color: #FBECD5;
Contest in 1991. The phrase "Oh, Lady, Be Good!"
Angel Eyes. -- If Mark recorded "Oh, Lady, Be Good!" ), More Performances of "Oh, Lady Be Good!" album: Rhythms of the Heart, Notes: "Violinist Regina Carter's able to cover ample stylistic terrain without any sense of a tourist's itinerary. video before starting another. is revealing and incisive.
And the lyric is full of tongue-in-cheek phrases. For a complete listing of songs used in the original production of this show, see IBDB song list. These even included productions with scores by the likes of Irving Berlin, Jerome Kern, Vincent Youmans, Noble Sissle and Eubie Blake. In London, he met with American producer Alex Aarons, writer Guy Bolton and Fred Astaire about a show they were plannin to mount on Broadway later that year, a show that at that point bore the working title Black-Eyed Susan. 126-127, hard-cover, Ed.). Michael Feinstein (with Ian Jackman), The Gershwins and Me: A Personal History in Twelve Songs, New York: Simon and Schuster, 2012. Some commentators, however, (See Lasser and Furia, this page.) 52-54). 17.
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a pull-out-the-stops" performance that remains one of her most popular efforts.
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Notes: Apparently the group arrived in Copenhagen late and had to perform as they came.
album: The Genius of Lester Young, Notes: Lester Young - Tenor Sax; Carl "Tatti" Smith - Trumpet; Count Basie - Piano; Freddie Green - Rhythm Guitar; Walter Page - Bass; Jo Jones - Drums
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George had combined Negro music with his own syncopation. The song was also performed by the chorus in the film Lady Be Good (1941), although the film is unrelated to the musical.