/ Henry Taylor, Don’t Hate Haitians, 2016. Courtesy of Galerie Thaddaeus Ropac, London / Paris / Salzburg. Until 1969, it hosted the Monte di Pietà, whereas between 1975 and 2010 it became the home of the ASAC – the Historical Archive of Contemporary Art of the Venice Biennale. Fondazione Berengo was founded by Adriano Berengo in 2014 as a cultural institution consolidating and strengthening his mission of marrying the Muranese glass-making tradition with contemporary art. Pinault Collection / Henry Taylor, Untitled (Liz Glynn), 2019. Photo Roland Michaud. Responsibly, always keeping an eye on the news coming from Ministries and Regions, the Fondazione Giorgio Cini also makes its first major efforts in this direction. The selection of artists-in-residency is made jointly by the Pinault Collection, the DRAC and FRAC Grand Large, Le Fresnoy – Studio National des Arts Contemporains and the Louvre- Lens. © Valie EXPORT by SIAE 2020. Housed in a former rectory, adapted to its new purpose by the architects of the firm NeM/Niney & Marca Architectes, it was inaugurated in December 2015. Selected works. In 2019, the prize was given to Rémi Labrusse for his book In 2019, the Pinault Collection is involved in the sponsorship relating to the restoration of the Victor Hugo’s house in Guernsey, Hauteville House. Installation View ‘Untitled, 2020. Solicited by public and private institutions, the Pinault Collection loan many of its works to international exhibitions.In partnership with the Hauts-de-France region and the city of Lille, François Pinault also founded a residency program in the former mining town. Les collections du Musée Fondation Peggy Guggenheim de Venise C'est un musée d'art contemporain où se trouvent des œuvres de nombreux peintres du XX e siècle. Three perspectives on the art of the present’ at Punta della Dogana, 2020 © Palazzo Grassi, photography Marco Cappelletti. Le palazzo Grassi a été construit au milieu du XVIIIème siècle par le célèbre architecte Massari pour le compte de la famille Grassi. Three perspectives on the art of the present’ at Punta della Dogana, 2020 © Palazzo Grassi, photography Marco Cappelletti. The first signs of opening are visible in these days in Venice and throughout Italy after these months of lockdown. Visitors can also discover works from emerging artists, featured in the Open Space programme, as well as the Collection of the Fondation … Courtesy of the artist and Wilding Cran Gallery. Pinault Collection / Valie EXPORT, Verkreuzung, 1972. (forefront) Thomas Houseago, Beautiful Boy, 2019. Installation View ‘Untitled, 2020. © Thomas Houseago by SIAE 2020, and works by Magdalena Abakanowicz, Garry Barker, Lee Bontecou, Teresa Burga, Nancy Grossmann, Charles Ray, Paul McCarthy. These sites were renovated and rehabilitated for their new purpose by the Japanese architect Tadao Ando, a Pritzker Prize laureate. © Thomas Houseago by SIAE 2020. Ronan and Erwan Bouroullec have been appointed to design and choose all the furniture for the Bourse de Commerce.Works in the Pinault Collection are also regularly presented in exhibitions across the world, including in Paris, Moscow, Lille, Essen and in Stockholm. ️ NOTICE ️. He will be succeeded by the French artist Bertille Bak in summer 2019.François Pinault founded the Pierre Daix Prize, in homage to his friend who passed away in 2014, the art historian Pierre Daix. His approach is fed by his commitment to sharing his passion for art with as broad an audience as possible, and to accompanying artists as they explore new territories.Since 2006, François Pinault has oriented his cultural project along three axes: presenting exhibitions in Venice, in other institutions and supporting and encouraging up-and-coming artists and art historians.The Pinault Collection's museums are housed in two exceptional buildings in Venice: Palazzo Grassi, inaugurated in 2006, and Punta della Dogana, opened in 2009. Courtesy of the artist and Gagosian Gallery. © Markus Lüpertz by SIAE 2020. In Venice, François Pinault's private collection of modern and contemporary art interacts constantly with the city's extraordinary cultural heritage, with the artists and the curators' work, as well as with the international art world.

(Foreground, left, center and right) Nairy Baghramian, Scruff of the Neck (Stopgap), 2016 / Scruff of the Neck (Stopgap), 2016, Pinault Collection / Scruff of the Neck (Stopgap), 2016, Private collection. Installation View ‘Untitled, 2020. Maeght Foundation. Joan Miro, La Fourche, L'Arc, 1963. Pinault Collection / Enrico David, Room for Small Head (Nadia), 2013. Pinault Collection. Courtesy of the artist, Gagosian Gallery and Xavier Hufkens. / Solange Pessoa, Sem titulo, 2013 / Sem titulo, 2013 / Sem titulo (From the series Dionisias), 2017 / Sem titulo (From the series Mimesmas), Courtesy of the artist and Mendes Wood DM, Sao Paulo / Brussels / New Work / Thomas Houseago, Machine Wall, 2019. (Foreground, background from left to right) Auguste Rodin, Iris, Messagère des Dieux, 1890-91. It is awarded each year to an exceptional study of modern or contemporary art. (From left to right) Enrico David, Senza titolo, 2012. Works in the Pinault Collection are displayed in exhibitions that often involve the artists directly through specific commissions to create new works In 2021, the new museum of the Pinault Collection will open in Paris, inside the Bourse de Commerce, which will be renovated by Tadao Ando Architect & Associates together with the agency NeM / Niney & Marca Architectes, the agency Pierre-Antoine Gatier and to SETEC Bâtiment.